Revenge Prometheus Bound Essay Example For Students

Vengeance Prometheus Bound Essay A monolog from the play by Percy Bysshe Shelley NOTE: This monolog is reproduced from Prometheus Unbound; A Lyrical Drama in Four Acts with Other Poems. Percy Bysshe Shelley. London: C and J Ollier, 1820. PROMETHEUS: Evil mindsChange great to their own temperament. I gave allHe has; and consequently he chains me hereYears, ages, night and day: regardless of whether the SunSplit my dry skin, or in the moony nightThe precious stone winged snow stick round my hair:Whilst my darling race is stomped on downBy his idea executing ministers.Such is the dictators reward: tis just:He who is underhanded can get no good;And for a world gave, or a companion lost,He can feel abhor, dread, disgrace; not gratitude:He yet compensates me for his own misdeed.Kindness to such is sharp rebuke, which breaksWith harsh stings the light rest of Revenge.Submission, thou dost realize I can't try:For what accommodation yet that deadly word,The passing seal of mankinds captivity,Like the Sicilians hair-suspended sword,Which trembles oer his crown, would he accept,Or might I be able to yield? Which yet I won't yield.Let others compliment Crime, where it sits thronedIn brief Omnipotence: secure are they:For Justice , when triumphant, will sob downPity, not discipline, all alone wrongs,Too much vindicated by the individuals who blunder. I wait,Enduring in this manner, the retributive hourWhich since we spake is even closer at this point.

Applying Theory to Practice Term Paper Example | Topics and Well Written Essays - 500 words

Applying Theory to Practice - Term Paper Example starting point of the adolescent reprobate conduct might be comprehended by taking a gander at the foundations of youngsters who for different reasons have driven a real existence brimming with hopelessness. For example, young people who are in danger of turning out to be reprobate may have begun from families with parental liquor addiction, packed neighborhood, family breakdowns, the expanding HIV/AIDS scourge, harsh conditions in the home, or the demise of guardians because of outfitted clashes. It might be noticed that youngsters from such foundations might be either unaccompanied or stranded and come up short on the methods for means, cover, and other essential needs, expanding their odds for falling into adolescent wrongdoing. Many creating countries sit idle or almost no to investigate the necessities of the youthful residents or disregard some unimportant violations announced concerning these adolescents. A portion of these adolescents carry out violations at a youthful age and they are either disregarded by the specialists or go unreported, yet the negligible wrongdoings lead to increasingly genuine wrongdoings in future. Created nations on he other hand are occupied with exercises intended to forestall adolescent misconducts yet the general impact of such projects is powerless on the grounds that the strategies set up are normally lacking to address the circumstances that as of now exist (Siegel and Welsh, 2011). As indicated by geological examination, countries with increasingly urbanized populaces register more adolescent misconduct rates than those with solid country networks and neighborhoods. This might be connected to the dissimilarities in social attachment and control. Country groupings rely upon network and family control to manage introverted conduct, in this manner lower wrongdoing. Urban ways of life resort to legal and formal measures, a generic instrument that connects to higher adolescent misconducts. I. Youth wrongdoing results from uncertain interior clash and mental anguish. A few young people who have been abused or manhandled may experience oblivious sentiments connected to dread, disdain, and extreme aversion. On the off chance that this contention s

Keynesianism Research Paper Example | Topics and Well Written Essays - 1000 words

Keynesianism - Research Paper Example Evaluated to be worth about $787 billion, the upgrade gave by the Obama organization was to spare more than 90,000 employments (Calmes, 2009). The improvement was separated to $288 billion, assigned to tax reductions, $224 billion for joblessness advantages, instruction and social insurance, and $275 billion for work creation through awards and advances from government. The primary point of the arrangement was to reestablish trust in the economy and to spike financial development given the money related approach had neglected to spare the circumstance. It was likewise to bring certainty by diminishing rewards to senior officials whose organizations had gotten TARP reserves. As per Williams and Calabrese (2013), in a logical society, there are around four sorts of speculations: engaging, informative and prescient, instrumental and regulating. Elucidating and informative hypotheses can be classified under positive while the other two are gathered under prescriptive or regulating. Distinct hypotheses can be supposed to be harbingers of logical speculations as they will in general discover how various develops are interrelated. These may incorporate center components, qualities, connections, or measurements. They are intended to set stage for clarification and expectation. Informative hypothesis then again gives bits of knowledge on what caused a result in way that it tends to be watched. Forecasts come in as a trial of clarifications. instrumentals rely upon forecasts, they take a shot at the way that if something happens, something else will happen accordingly. The Obama Stimulus was sure in nature. It concentrated on the undeniable realities on the ground instead of general suspicions. At the hour of its dispatch, joblessness rate was at 9%, and to illuminate this, the administration allotted $275 billion for work creationin since financial strategy had neglected to tolerate solid organic products. This arrangement was likewise founded on standardizing speculations as it decided how the economy carried on inside a time span of ten years. Inside this

Sama in Rumis poetry - Literature Essay Samples

The Sufi musical tradition, or Sama’, has been used as a way to connect with the divine for hundreds of years by incorporating poetry, song, and dance to praise God. For many mystics, this blend is the single most powerful link to God, and is considered an even more elevated form of worship than prayer. Religious music is no new concept and is practiced in both Western and Eastern cultures, but many Sufis believe that the practice can cause visions of God and transport both musician and audience into a new reality. Although Sama’ generally includes both auditory and kinetic features, the aural component is considered the more significant of the two; â€Å"Sama’† literally translates to â€Å"what is being heard†. Rumi, a 13th century Persian poet, was particularly inspired by the ritual and dedicated an entire chapter to the subject in his theological texts, translated into English and condensed in The Sufi Path of Love. According to Rumi, music is in the heart of the universe, or as he says, â€Å"melodies are derived from the turning of the spheres†. Sama’ and its intricacies are alluded to in numerous poems, functioning as an allegory for faith through themes such as silence, spirituality, and longing. Through poetry, Rumi presents his own personal theology of both the ritual and music itself. Ironically, silence is the backbone of Rumi’s beliefs about music. He stresses the importance of being empty, quiet, and still to what seems almost like the point of death; in fact, in one poem, appropriately titled â€Å"Quietness†, he asserts that soundlessness is â€Å"the surest sign that you’ve died†. This is meant metaphorically and symbolizes the powerful spiritual connection formed with God after a period of meditation. Still, negative associations made from this rather macabre diction suggest that spiritual connection requires a total disconnection from life, as though the two are mutually exclusive. In the same poem, he describes the moon as â€Å"speechless† a rather literal personification that encourages a desire to become like the moon inanimate, soundless, and peaceful in comparison to man’s frantic, noisy life. Silence not only connects us to nature, but to the rest of humanity. The poem â€Å"Only Breath† begins with a list of a few of the most popular religions at the time and appears to be an invitation addressed to all human beings no matter what circumstances they may come from. Rumi implies that he is not really of any of these religions, and that religion and identity are only small attributes that contribute to a greater whole. He suggests that the only feature that all human beings share is breath not belief, origin, or opinion. The act of breathing represents unity across cultures in a world where language was frequently an unbreakable barrier. Silence is, in essence, humanity. Rumi even goes so far as to say that speech corrupts the human spirit, as demonstrated by the allegory described the poem â€Å"Enough Words?†. A frog swimming in a pond can only escape the fatal snake by remaining completely noiseless. If it were to croak or even attempt to emulate the snake’s language, the snake would wake up. It can only reach the grain of barley it seeks, a symbol for enlighte nment, through silence. The paradox between Rumi’s love for music and appreciation for quietness is reconcilable upon closer inspection. Many of his poems are signed not with his name, but with â€Å"khamush†, or â€Å"silence†. Silence follows Rumi’s message as a reminder to take time to understand the true meaning of the poem. A period of interpretation and comprehension after reading and listening is crucial; inner reflection cannot take place until the external cacophony pauses or ends. The kind of silence Rumi values is not eternal; it is the quiet solitude of post-enlightenment. The poem that concludes the section titled â€Å"The Night Air†, published in Coleman Barks’ The Essential Rumi, pithily summarizes this idea: There is a way between voice and presence where information flows. In disciplined silence it opens. With wandering talk it closes. The imagery of this flowing information is comparable to the flowing of a stream, dammed by â€Å"wandering talk† and opened only with â€Å"disciplined silence†. Perhaps a better name for Rumi’s â€Å"silence† is â€Å"space†, as it will always be surrounded by noise. Sama’ involves a silence of the same variety. Ustad Wasifuddin Dagar, an award-winning Indian classical singer, remarks that in addition to the tone and rhythm of the male voice, an essential element of Sama’ is shanti, or silence. This is not limited to the silence that follows a piece (after the ring of the last note dies but before the applause), but the â€Å"silence† that occurs when the vocalist rests during the piece’s instrumental sections. Although the Sufi tradition relies heavily on improvisation, the song follows a general format consisting of instrumental improvisational sections that break up lyrical verses, as well as an instrumental intro and outro. In this way, Sama’ emulates this mystical value of silence; Rumi’s poems pay homage to the tradition and reflect the quiet solitude so essential to Sufi music. Instrumental music does not come with the same implications as speech in Rumi’s works. Not once does the poet mention the importance of meditating on music in the same way that speech should be contemplated. This seems contradictory, considering that music and speech are essentially the same in that both are created by humans, for humans. Furthermore, there is not one specific song that everyone can identify with, unlike the universal breath. Still, Rumi seems to value music above speech, and in one poem urges his readers not to â€Å"open the door to the study and begin reading†, but instead â€Å"take down a musical instrument†. Rumi suggests that this creative outlet can be used as a means to praise God, not just to entertain man. Creation for its own sake transcends the boundaries of time, and the space needed in speech is no longer necessary. In a manner that recalls the comparison between man and the moon, Rumi likens the human spirit to birdsong in yet ano ther poem. He expresses a longing for divine inspiration, so that he can become as â€Å"ecstatic† as the birds. Here, the birds song is not just mere chatter, but a product of their love for life. Music is a gift given by Allah to humans, and then back again. The conversation only ends once man stops listening to divine inspiration. Rumi’s music is actually very similar to silence; it is a reflection on His word, a tranquility that follows the act of listening. In â€Å"The Music†, Rumi writes that although he often forgets to listen, the inspiration never ceases. His music is both an apology and a sign of gratitude to Allah. Once again, it cannot be a coincidence that music reflects core religious values, mainly the idea that â€Å"God will provide† as a result of prayer. While this cycle begins on man’s end with the song itself which acts as a symbol for prayer, rhythm symbolizes â€Å"flowing† divine inspiration. Sama’ cannot produce its ecstatic effect without its hypnotically steady beat. According to an article on the subject in the Indian Streams Research Journal, Sama’s â€Å"powerful rhythm [suggests] the ceaseless repetition of Gods name†. The rhythm section acts as a steady engine, keeping the beat consistent and stable throughout the song. Unlike most Eastern music, which makes use of complicated rhythms, Sama’ tends to be very minimalistic. Oftentimes, there is only one musician playing a rhythmic instrument; the majority of the rhythm section is made up of the handclaps of the resting musicians. Clapping drives the piece. While most Eastern mu sic places its emphasis off the beat, the claps in Sama’ occur almost before the beat, and contribute to the forward-moving nature of the song. Similarly, God’s inspiration â€Å"makes the universe turn†. Both rhythm and divine inspiration are foundational elements in their own respects. The relationship between the musician and the instrument is also a major theme in Rumi’s works. On the surface, this relationship is inconsistent with mystic culture, as Sufis generally practice asceticism. Still, in his poem â€Å"Constant Conversation†, Rumi characterizes the relationship between the musician and the instrument as almost sexual. The imagery of the reed’s lips joining with the flutist’s is remarkably intimate, as is the imagery of the the tambourine, which â€Å"begs† for the musician to â€Å"touch [its] skin†. Music is born out of this contact, and is, as a result, a kind of love-child. This profound relationship between instrument, man, and music is the reason Rumi does not regard the flute as a mere earthly possession. In other poems, Rumi suggests that man and reed are one and the same. Similarly to how man creates a flute, Allah creates man. The poet is uncharacteristically literal about this parallel, even making a direct comparison between a reed and a human being. A craftsman pulled a reed from the reedbed, cut holes in it, and called it a human being. The second stanza is much more metaphorical, and suggests a comparison between man and music through the personification of the flute. Since then, it’s been wailing a tender agony of parting, never mentioning the skill that gave it life as a flute. The flute wishes to return to the reedbed, almost as man wishes to return to God. The â€Å"wailing† symbolizes man’s discontent with earthly pleasures on his path toward the divine, as he neglects to appreciate the life he has been given. â€Å"The Reed Flute’s Song† equates music with man’s longing to be with Allah once again. The music mingles in the â€Å"laughing and grieving† of life as a presence that is not recognized by all, but is always there. It is difficult to hear the message, but those who do not want to hear the song are not worth Rumi’s time. Those who don’t yearn to be reunited with God are unable to reach an elated state as well. In an article for the British Journal of Ethnomusicology, Leonard Lewisohn observes that the modern Sufi believes that this absence of yearning is often the reason opponents to Islamic music exist; the opponent’s desire to be with God is not strong enough to reach this state of ecstasy, and such an opponent is unable to truly understand Sama. â€Å"Hearing† and â€Å"listening† are two very opposite terms in Sufi music. To truly listen is to take part in the song, or as Rumi would say, to â€Å"become one† with it hence the movement component of Sama’. One author says that the dance, or â€Å"whirling dervishes,† â€Å"should be performed with the entire soul, spirit, love, faith, material and spiritual being.† This seemingly random, rapid twirling motion is more than just an aesthetic component of Sama’; the spinning causes the so ul to be hurled toward the sun and joined with God. If done right, the motions will bring the dancer to a state of pure bliss, a feeling stronger even than the emotions evoked by prayer. Sama’ is a literal expression of the same yearning for God that Rumi expresses in his poems. It is unlikely that this parallel is a coincidence. As the famous Indian singer Tahir Faridi Qawwal said, â€Å"Beyond the literal translation of qawwali poetry, there is a profound world of spiritual cultural metaphor which can take years to understand.† Behind its at times simplistic exterior, Rumi’s poetry provides layers of depth.

Role of Music in My Life - 1518 Words

Music plays a vital role in my life. I love listening to music and it’s become one of my hobbies since I’m in my primary school. I had been exposed to music since I’m at kindergarten. I do a lot of performance that are related with music when I’m in my school age and I really enjoy it. I can say that music has become part of my life. Even in kindergarten, I had been taught by music such as ABC’s song, Twinkle Twinkle Little Star, Happy Birthday song, If You Are Happy and others. There are so many different categories and genres of music such as ballad, rock, Jazz, hip hop, pop, techno and others. Whatever kind of music that I heard, it always gives joy and entertainment to me. Without music, my life would be soulless and bored. For me,†¦show more content†¦Some lyrics define my entire life. I was amazed to find a song that could compiled my life situations and my feelings. I like song which exactly describe hoe I feel. Whenever I want to re live some touching memory in my mind, I listen to a particular song which makes me go back in time and I can see the flashback and the scenes playback in my mind. Different music styles have different effects on me. For example, rock music can calm my anger, pop makes me feel fresh, and love songs when I’m in love or falling in love while jolly lively song when I’m happy. If I’m stress, I will heard techno genre and if I sad, I prefer to listen to soothing music. Besides listening to music, sometimes I sing a song or write a song in order to express my feeling. After that, I automatically will become comfort and satisfy with myself. For me, music indicates a situation, an incident and a personality. I believed that music is an expression of soul. For me, music is the most comforting soul especially when there’s no one around to comfort me. Music heals the heart, soul and mind. Third, music helps me a lot in the process of learning in my daily life. For me , music can makes my process of learning becomes more interesting. I believed that other people also thought the same things. Even the kindergarten teachers also use music to teach young children. Since I’m at preschool, my teacher teaches me a lot of songShow MoreRelatedMusic as an Agent of Socialization Essay1409 Words   |  6 PagesMusic has played a major role as an agent of socialization in each of my 4 decades. I know and hope that it will continue to do so. During each period music has affected my personality, shown my personality, affected my perceptions and helped me to cope with growing and changing as a person. My Looking Glass Self has compared the person in song and possibly the singer themselves to myself to gain perspective of who I was at each time. I am going to discuss each decade with the thought of how musicRead MoreThe Effects Of Music On A Desert Island848 Words   |  4 Pagesnever crossed my mind. 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In 2007, Tomas Chamorro-Premuzic and Adrian Furnham, studied how 21st century listeners use music in their dailyRead MoreMusic Is An Important Source Of Employment1300 Words   |  6 Pagesof all ages listen to different kinds of music, with musical taste varying from person to person. It is no surprise how music has the ability to evolve as time goes on, making it versatile and adaptive to the changing times . With that change, the value of music has increased tremendously, playing a bigger role in the lives of individuals. Today, people use music to cope with the issues of everyday life, providing an escape from reality. Furthermore, music is an important source of employment, asRead MoreThe Role of Music in Life1442 Words   |  6 Pagesï » ¿The Role of Music in My Life From as early as I can remember, there has always been music. 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Age 13 signified the second step into the music industry with the purchaseRead MoreMy Passion For Playing Guitar848 Words   |  4 PagesInstitution Date Learning to play a guitar My passion for playing guitar directed me to consider the words of Abraham Lincoln that Nothing in this world is impossible to a willing heart. This were very important wise words that kept resonating in my heart and mind as I looked in to the negative comments that were likely to deviate my aspirations of learning how to play a guitar. When I reflect back in my achievements as well as my past life, I appreciate the contribution of perseverance andRead MoreCountry Music Has Proven As A Powerful Medium Essay1133 Words   |  5 PagesCountry music has proven as a powerful medium to express the views of the contemporary culture. As a result, the lyrical value of such songs provides listeners an insight to the changing climate of social and political ideologies. During the 1960’s defined gender roles dictated social lifestyles and were mimicked in music. In recent years, a resurgence of idealistic, stereotypical gender-specific roles have cropped up in country songs, creating a subgenre labelled â€Å"bro-country.† Jody Rosen of theRead MoreThe Flavored Of Music And Exercise1668 Words   |  7 PagesConcoction of Music and Exercise Music has a greater impact in our lives than we realize. Music is everywhere we go and is listened to on a daily basis, which affects us in different ways. Music is incorporated into different aspects of living such as a work environment, sports games, while studying, in the car, or while doing exercise. Incorporating music into exercise has been proven to make exercising in any environment more fun, boost one’s mood, increasing motivation, and varying heart rateRead MoreRole Models1031 Words   |  5 PagesBy definition, a role model is one whose behavior, example, or success is emulated by others. 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Management Accounting for Planning and Control - myassignmenthelp

Question: Discuss about theManagement Accounting for Planning and Control Approach. Answer: In order for us to draw a conclusion whether to accept the special order or not we need to compare the contribution for each unit, as it will help us to determine that whether the recovery of the fixed cost will be possible or not. Contribution is the amount of money that has been left to recover the fixed cost incurred because of manufacturing. As fixed overhead does not change with the level of production, the same amount will be charged i.e. 540000. Therefore, we need to compare the contribution per unit and the calculations are shown below: Contribution per unit Normal Special order Selling price per unit 2.2 1.4 Less: Direct material 0.39 0.39 Direct labour 0.24 0.24 Variable overhead 0.16 0.16 Contribution per unit 1.41 0.61 A company should not accept the special order if it takes its decision with respect to recovering the fixed overhead also. Let us now see, what the profit of the company is if it sells 20000 units of special order at 1.4 as demanded and the remaining 740000 units at 2.2 which is normally done and then compare it with the profit if it sells the entire production at 2.2. Calculation of profit if the company sells all its 760000 units at 2.2 without accepting the order: Particulars Amount Sales 1672000 Less: Direct material 300000 Direct labour 180000 Variable overhead 120000 Fixed overhead 540000 Profit 532000 Calculation of profit if the company accepts the order: Particulars Amount Sales 1656000 Less: Direct material 300000 Direct labour 180000 Variable overhead 120000 Fixed overhead 540000 Profit 516000 Therefore, it is clear that the company should not accept the order on the basis of financial grounds. In the above answer, I have stated that the company should not accept the offer on the financial grounds. However, there may be certain non financial grounds that a company should consider before taking its final decision (Khan Jain, 2013). On the financial grounds, the company could have bought the canisters from the Canister Company and then sell it at 1.4 per unit as demanded; in that case the company could have expected to generate profits. On the basis of non financial factor, the company should analyse the impact of rejecting or accepting the order it may have on future. There may be a scope to increase the selling price in the future along with the sales volume. Some projects may not be beneficial in the short run but could be in the long run. This also helps to build good relation with the customer which also leads to enhancing the goodwill of the company as we know customer satisfaction is the most important aspect on which the company should pay attention in order to survive and compete. Sometimes there may not be any profits but the company has to accept the order to meet up with the industry standards. Nowadays, along with the financial aspects it is equally important to consider the non financial aspect also (Pandey, 2010). References: Khan, M., Jain, P. (2013).Management accounting. New Delhi, India: McGraw-Hill Education (India). Pandey, I. (2010).Management accounting ; planning and control approach. Noida: Vikas Pub. House Pvt. Ltd.

Essay Samples Versus Assignment Samples

Essay Samples Versus Assignment SamplesIn your college classes, the writing assignments are assigned by instructors with class examination and research papers. The teachers in most schools have specific rules on assignment submissions, but the majority of instructors assign students with a variety of essay samples, both popular and unique ones. This article covers the different types of topics for assignments, as well as some of the problems encountered when submitting these essays.Many college students submit their assignments to a variety of sites and will not even have an idea how many they have already submitted, or what problems they are having with them. Because there are many so-called 'quality' sites that provide an endless supply of high-quality essays, students often find that their assignment gets lost among the masses. It is usually during the editing stage that a student discovers that he or she has submitted his or her essay to the wrong site. After searching through ev ery major sites, the student can sometimes lose the opportunity to see if he or she has written something that would be of use to the professor.Some writing websites do not have essay samples. If you have a classmate who has not been provided with any sample assignments, you may want to ask him or her to speak to the teacher about it. It is possible that the teacher may refuse to accept your essay if you submit to a site that does not have any essay samples.While there are hundreds of sites that offer essay samples, it is always best to read through the submission guidelines and get a sense of the type of essays you would like to write before filling out the assignment form. Make sure you are clear on the type of essay you would like to write. Sometimes a student will get what they think they want, but then realize that the assignment does not fit the topic. You will be better able to focus on writing your essay if you understand the kind of essay you will be asked to write.You may be amazed to learn that a quality essay may need hundreds of revisions before it is finally accepted. A poorly written essay, even if it was written by a student who truly wants to write a great essay, may languish in limbo, not being read by the instructor. Assignment sample sites do not have a lot of power over a student, unless the student is actually talented enough to write a masterpiece. The best thing you can do when submitting to a large number of online writing sites is to begin your assignment by simply reading through the essay topics available, and getting a feel for what you would like to write. Then you can begin by researching the many topics that exist, and the numerous choices of essay topics that are available for you to choose from.Assignment samples are usually far less common than essay samples. But when a student does get assigned a collection of writing samples, they should be careful not to rush through the writing process. Writing short, sweet articles about topics that interest you is the ideal way to get through the assignment. Most assignments are assigned by professors, and as such they are likely to be extensive. It is important to let the professor know that you are ready for more information and do not want to get bogged down with more information that is not necessary.It is important to be patient while waiting for your assignment to be completed. The majority of professors are happy to answer any questions that you may have about the assignment, as long as you give your permission to write the assignment, as well as tell them what you plan to write about. They also want to see that you have thought about what they require and are able to complete the assignment by the deadline.Assignment samples are great in that you can have the benefit of working directly with the professor, but doing the work at your own pace is just as important. As long as you take the time to write the assignment properly, you will have a greater chance of finishing the assignment on time.